Sarah Coleman and Isaac Cohen have been in talks with site managers in Florence, Alabama, to create a series of public events promoting awareness and preservation of the historic site. Their first event, “Generative Care at the Florence Mound: New Practices for Land-Based Relations,” was held at the Mound’s accompanying museum, the Florence Mound Museum, February 6–7, 2026. The event’s first day was comprised of evening programming for the public, while the second day was a day of workshops and a panel for participants from across the region and beyond.
The Florence Mound rises forty-five feet above the Tennessee River and has witnessed 1,700 years of transformation along the river’s edge. Earthworks such as the Florence Mound are vital, living forms of Indigenous knowledge, constructed out of the land itself and stand as testaments to the geological knowledge and engineering skill of its original makers. Over its history, the Mound has been cared for and tended by generations of Indigenous communities. Today, the city of Florence and the Florence Mound Museum manage the site’s day-to-day care. As the cost of upkeep has become unsustainable, Coleman and Cohen both believe that the Mound stands at a critical point at which new modes of stewardship must be envisioned.
The February event convened mound caretakers, scholars, archaeologists and designers from across the region and beyond in conversations which have broad implications for land-based relations at the Florence Mound. The keynote speakers for the event included Chadwick Allen, professor of English at the University of Washington and author of Earthworks Rising: Mound Building in Native Literature and Arts; and LaDonna Brown, tribal anthropologist for the Chickasaw Nation Department of History and Culture. Other speakers included Brian Murphy, director of Florence Arts and Museums; Ana Peeples, museum educator for the Florence Mound Museum; Katie Kelly, senior associate at Ten X Ten Landscape Architects; and Brenda Williams, principal and landscape architect at Quinn Evans, a design collective.
Coleman and Cohen have worked in collaboration with the Florence Mound Museum over the last year and a half to develop the project, which seeks to imagine modes of care that engage the “ongoingness” of earthworks as generative of new practices for stewardship. The project has been supported by grants, including a CADC Seed Grant, which provides funding to support faculty research, scholarship and creative work. The team’s work has also been supported by an Auburn University Office of the Vice President for University Outreach’s Competitive Outreach Scholarship Grant, which seeks to promote Community-Engaged scholarship in the context of mutually beneficial and reciprocal university and community collaboration for the public good. Finally, the project is also funded by the Alabama Humanities Alliance’s 2024 Alabama Public Humanities grant, which seeks to support public humanities programs across the state to make Alabama a more vibrant place to live.
“We are so grateful for all the interest and expertise that was brought to bear at this event. This work really builds on the many years of effort by Brian Murphy and Ana Peeples at the Florence Mound Museum, who have opened the door for more accurate and expansive understandings of this important place,” said Coleman.
Cohen adds, “We are excited that these constituencies had the rare chance to sit down in and share space and conversation. We hope this event was the beginning of building broader networks of care for these types of landscapes across the region.”
LAND Faculty Collaborate on the Future of Indigenous Earthworks
